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“The stories are about love, family and following your dreams and summertime offers a great window for this kind of viewing commitment.”), a rock star at the top of his game.

Although Loren and Eddie’s budding partnership – on-stage and off – faces obstacles, their strong family bonds inspire them to keep going.

Melissa’s protective mom is played by Meredith Salenger, a one-time teen star herself, apparently to make baby boomers feel that much older. Give Nickelodeon, Televisa and Sony credit for taking the plunge into a genre that requires considerable faith, especially since My Network TV’s primetime telenovela experiment laid a big egg; nevertheless, it’s difficult to retain even a youthful audience’s attention with material that doesn’t rise (or sink) past the sudsy situations of old after-school specials.

Exec producer Jill Farren Phelps (“General Hospital”) and head writer Josh Griffith (“The Young and the Restless”) both have daytime pedigrees, but “Heights” appears handcuffed by its too-narrow range, which applies as much to the characters and subplots (Eddie lost his mom; the loyalties of his girlfriend, played by Melissa Ordway, are suspect) as to its blandly generic songs. Still, James Franco is slated to appear in an upcoming arc of episodes, which will surely be promotable, and the show does have 16 weeks to find its groove.

The success of the telenovela led to a film and sequel telenovela starring Latin American pop sensations, Ricky Martin and Sasha Sokol.

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She began her television career on first broadcast on Canal de las Estrellas and Univision in 1990.

Meanwhile Eddie's unbreakable bond with his father, Max (Carlos Ponce, Couples Retreat, telenovela actor/singer) - strengthened by family tragedy - is challenged by Eddie's budding romance with a beautiful, but manipulative model and aspiring actress, Chloe Carter (Melissa Ordway, 17 Again).

As Loren begins a meteoric rise on the music scene and Eddie's star begins to fade, together they learn that the road to love and stardom often carries a heavy price tag.

For a show with a pop undercurrent that proclaims itself “sizzling,” “Heights” is pretty tepid and lacks a hit song’s most basic element: A catchy hook.

Soaps are traditionally defined by their villains, and in the first two hours “Heights” doesn’t really develop much of one.

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